The Walking Dead

The Walking Dead The Ride Thorpe Park Holovis 2018 (2).jpg

We designed and delivered the terrifying multisensory experience that surrounds THORPE PARK Resort’s most horrifying coaster: The Walking Dead: The Ride. The attraction is a complete retrofit of X, which launched in 1996 as ‘X:/ No Way Out’, the World’s first backwards roller coaster in the dark.

The immersive experience wraps guests in the story from beginning to end, starting with the initial queue line and continuing with the preshow, dramatic on-board effects and a death-defying finale.

The process began at the Holovis Demonstration Campus in the UK, filming all the media scenes and capturing the audio in our Green Screen and Sound Studio, before adding a full post-production treatment.

The preshow sets the scene for guests by placing them in the Safe Zone, which is then compromised through a series of visual and sensory special effects that are dissimilated into the theming. CCTV footage shows Walkers attacking the area of the queue line they were just in and clambering against a window - which is actually a 4K screen.

Guests then move through the rest of the line as a batched queue, with zonal surround audio and lighting giving the illusion that they are the only group there. The immersive media scenes continue into the loading station and onto the coaster, with interludes at key moments combining physical and digital effects with real actors.

Peter Cliff, creative director at Holovis explains:

“This is a great example of our turnkey capability, as we’ve worked with Merlin Magic Making from the initial design phase through to capturing and creating all the media and integrating it with the AV and lighting across the whole attraction and special effects. This has allowed us to really maximise the impact, as the repercussions from things that are being seen and heard are interconnected to fit the gripping story. It also showcases how existing attractions can be given a new lease of life through integrated media, special effects and theming making it a quick and easy transition, with minimal structural work required.”

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